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By Ryan Hediger
Animals and conflict is the 1st selection of essays to check its subject. utilizing sociology, background, anthropology, and cultural reports, it analyzes a variety of phenomena and exposes the usually paradoxical contours of human-animal relationships.
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Furthermore, as a non-human screen, meanings from multiple perspectives are projected upon the bee–entomologists study bees for human purposes within individual research projects and sometimes within the context of larger political projects as in the case of Nazi scientists or the 42 Lisa Jean Moore & Mary Kosut Israeli project mentioned earlier. ” Their behaviors are individualized and also placed within communities that have a particular sociality. Depending on which human is doing the constructing, bees’ sociality is interpreted to serve some higher purpose.
So the massive traumas life has been exposed to encourage us to notice what we share with other life forms, pointing toward a kind of zoopolitics or a new version of biopolitics rather than continued insistence only on the profundity of differences. In the face of realities that can seem suffocating, we ought to recognize the potentials within them for radical change. But I believe there is an even more specific hope connected to the pro ject of investigating animals and war. Perhaps animals can help to defamiliarize the logic of war enough that we may take additional steps away from war in general.
For example, according to expert beekeeper’s we interviewed, bees swarm when a group splits from the hive to create new hives, enabling their species to grow so the colony can reproduce itself. Reasons for swarming include overcrowding, illness, dying or aging queens, and temperate winters where food supplies run low. A swarm of bees from the perspective of a beekeeper is a non-violent “natural” occurrence. Similarly, a radical eco-cultural feminist could interpret bees as the perfect holistic and peaceable kingdom of cooperation and matriarchy.
Animals and War: Studies of Europe and North America by Ryan Hediger