Amy Beach, Passionate Victorian: The Life and Work of an by Adrienne Fried Block PDF
By Adrienne Fried Block
Amy Marcy Cheney seashore (1867-1944), the main greatly played composer of her iteration, was once the 1st American girl to be successful as a author of large-scale artwork song. Her "Gaelic" Symphony, given its ideal by way of the Boston Symphony Orchestra in 1896, used to be the 1st paintings of its variety via an American girl to be played through an American orchestra. just about all of her greater than three hundred works have been released quickly once they have been composed and played, and this day her tune is discovering new advocates and audiences for its power, depth, and sheer good looks. but, earlier, no full-length severe biography of Beach's lifestyles or entire serious evaluation of her tune existed. This biography admirably fills that hole, absolutely interpreting the connections among Beach's lifestyles and paintings in mild of social currents and dominant ideologies. Born right into a musical relatives in Victorian instances, Amy seashore all started composing as a baby of 4 and used to be both talented as a pianist. Her expertise used to be famous early through Boston's prime musicians, who gave her unqualified aid. even though seashore believed that the lifetime of a certified musician used to be the one lifestyles for her, her mom and dad had raised her for marriage and a profession of beginner music-making. Her reaction to this parental (and later spousal) competition was once to discover artistic methods of attaining her aim with out direct war of words. Discouraged from a full-scale live performance profession, she in its place came across her m?tier in composition. good fortune as a composer of paintings songs got here early for seashore: certainly, her songs outsold these of her contemporaries. however, she was resolute to split her paintings from the genteel parlor track girls have been writing in her day via growing large-scale works--a Mass, a symphony, and chamber music--that challenged the permitted idea that ladies have been incapable of constructing excessive artwork. She received the distinction of affiliates and the allegiance of audiences. many that praised her paintings, in spite of the fact that, thought of her an exception between ladies. Beach's response to this used to be to affix with different girls composers of significant tune by way of selling their works together with her personal. Adrienne Fried Block has written a biography that takes complete account of problems with gender and musical modernism, contemplating seashore within the contexts of her time and of her composer contemporaries, either female and male. Amy seashore, Passionate Victorian can be of serious curiosity to scholars and students of yankee song, and to tune enthusiasts usually.
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Extra info for Amy Beach, Passionate Victorian: The Life and Work of an American Composer, 1867-1944
Although the suggestion in Beach biographies that Clara Cheney had a ca- THE CHENEYS AND THE MARCYS ° 1Q reer as a performer of some local fame remains undocumented, she was an active amateur pianist. " On occasion she brought her daughter with her when she played chamber music: "One evening at the house of a friend where there was to be instrumental music, the i st violinist and the others tuned their instruments by her singing to them the tuning pitch A. " 42 Other than that, very little is known of Clara Cheney's life outside of her relationship to her daughter.
Thomas had made as his aim the elevation of musical taste in the United States, and. with his own traveling orchestra, he had gone a long way to achieving it. Among his many concerts in Boston was a matinee—"A Young People's Popular"—on 29 April 1885. Critics commented that, as a children's program, it was rather heavy going for it included Beethoven's Symphony No. i in addition to the Mendelssohn. "80 At the rehearsal, Thomas decided that, in consideration of her youth, he would take the brilliant last movement of the concerto at a slower tempo than usual, and he began the orchestral introduction accordingly.
All agreed that the chief event of the evening was Amy Cheney's debut. The critic for the Gazette summed it all up: Her natural gifts and her innate artistic intelligence were made apparent in the very first phrases she played. Her manner is winningly modest, though it lacked nothing in easy self-possession. She has a brilliant and remarkably fluent technique, of which the grace and refinement are delightfully conspicuous. Her playing is wholly without affectation, and is surprising in the maturity of taste, the delicacy, warmth and propriety of expression, the largeness and beauty of phrasing, the thorough musiciamy understanding, and the exquisite purity of style that characterize it throughout.
Amy Beach, Passionate Victorian: The Life and Work of an American Composer, 1867-1944 by Adrienne Fried Block